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Diagrammatic Writing is a poetic demonstration of the capacity of format to produce meaning. The articulation of the codex, as a space of semantically generative relations, has rarely (if ever) been subject to so highly focused and detailed a study. The text and graphical presentation are fully integrated, co-dependent, and mutually self-reflexive. This small book work should be of interest to writers, bibliographers, designers, conceptual art...

Bridge Volume 23, Number 1: DATA 1: APPARITIONS SECTIONS & EDITORS Publisher & Editor-in-Chief Michael Work DATA 1: APPARITIONS A first in an occasional series of data-themed volumes SECTIONS & EDITORS Publisher & Editor-in-Chief Michael Workman Architecture David Sundry Couture Kristin Mariani Dance & Performance Art Michelle Kranicke Fiction Meghan Lamb Philosophy Mark Tschaepe Visual Art Laura Kina Music Efua Osei Cover Image: Allen Mo...

This anthology of articles selected from The Journal of Artists' Books contains some of the best critical writing on artists' books produced in the last quarter of a century.

Though there are many books about the history of the alphabet, virtually none address how that history came to be. In Inventing the Alphabet, Johanna Drucker guides readers from antiquity to the present to show how humans have shaped and reshaped their own understanding of this transformative writing tool. From ancient beliefs in the alphabet as a divine gift to growing awareness of its empirical origins through the study of scripts and inscri...

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The Digital Humanities Coursebook provides critical frameworks for the application of Digital Humanities tools and platforms, which have become an integral part of work across a wide range of disciplines.

The Digital Humanities Coursebook provides critical frameworks for the application of Digital Humanities tools and platforms, which have become an integral part of work across a wide range of disciplines.

Iliazd is at once a rich study of a significant figure and a thoughtful reflection on the way a biography creates an encounter with its always absent subject.

Iliazd is at once a rich study of a significant figure and a thoughtful reflection on the way a biography creates an encounter with its always absent subject.

An analysis of visual epistemology in the digital humanities, with attention to the need for interpretive digital tools within humanities contexts.In the several decades since humanists have taken up computational tools, they have borrowed many techniques from other fields, including visualization methods to create charts, graphs, diagrams, maps, and other graphic displays of information. But are these visualizations actually adequate for the ...

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Narrated by an Archaeon, a 3.8 billion-year-old species, the oldest on Earth, this work of speculative eco-fiction describes the impact of ecological pressures on animals that are adopting human behaviors, with droll, and sometimes alarming, results.

A Fresh Look at the History of Graphic Design Graphic Design History, 2nd edition is a critical approach to the history of graphic design. Organized chronologically, the book demonstrates the connection to the current practices of graphic arts, visual expression, and design with its engaging narrative and special features. With new images, chapter revisions, and features like Tools of the Trade, the authors stay true to connecting what designe...

Johanna Drucker's "sweet dream" is for a new and more positive approach to

This text examines the many ways in which the letters of the alphabet have been assigned value in many key systems over two millennia. The book also presents the more general history of lettering, printing and calligraphy, providing an informative guide for art and cultural historians.

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Theorizing Modernism is a re-reading of the modernist tradition in the visual arts that provides a unique view of the history of modern art and art criticism. Concentrating on canonical critical texts and images, the book examines modern art through a rhetoric of representation rather than through formalist criticism or the history of the avant-garde.